Elon Musk has been busy: SpaceX filed for a blockbuster IPO. On Monday, a U.S. jury dismissed his lawsuit against Sam Altman and OpenAI. And last Wednesday, he accompanied President Donald Trump, and an entourage of tech moguls, to China for an elaborate state visit.
And yet, the richest man in the world spent much of the past week heckling a movie he hasn’t seen yet, directed by one of Hollywood’s most successful and celebrated directors, and starring a small army of A-list actors, including Matt Damon, Anne Hathaway, Robert Pattinson, Zendaya, Tom Holland, and Jonathan Bernthal. He seemed especially angry that a woman of color was cast in two roles.
In a just-dropped Time Magazine interview, director Christopher Nolan confirmed that Oscar-winning actress Lupita Nyong’o is playing two iconic roles in his $250 million adaptation of the Greek myth “The Odyssey.” In the ancient poet Homer’s epic “The Iliad,” which precedes “The Odyssey,” the Trojan prince Paris abducts Helen, wife of the Spartan king Menelaus, sparking a 10-year war with Greece that ends in tragedy. Nyong’o will portray Helen, “the face that launched 1,000 ships,” as well as Helen’s sister, the murderous Clytemnestra.
Musk quickly took to X to voice his displeasure with this casting choice: “Chris Nolan desecrated the Odyssey so that he would be eligible for an Academy Award.” Never mind the fact that the Academy’s eligibility criteria have nothing to do with casting.
Musk also reposted conservative commentator Matt Walsh, who wrote, “Not one person on the planet actually thinks that Lupita Nyong’o is ‘the most beautiful woman in the world.’ But Christopher Nolan knows that he would be called a racist if he gave the ‘most beautiful woman’ role to a white woman. Nolan is technically talented but a coward.”
Nolan’s casting of Zendaya as Athena, the goddess of wisdom, and rap superstar Travis Scott as a bard has also angered Musk toadies and assorted online bots. The trans actor Elliot Page was also cast, causing some hysterical right-wingers to (apparently incorrectly) suggest the actor is playing the great Greek warrior Achilles, slain by the Trojans, and who Odysseus briefly meets in the afterlife. Musk’s minions are so desperate for engagement that they have to work themselves into a lather over mere speculation.
All of this points to a clear conclusion. Elon Musk is losing the culture war; he just doesn’t know it yet. His whiny, white grievance and anti-DEI posts are becoming predictable. Boring. Viral filler. He has an enormous platform, but his message are increasingly small-minded.
Another sign that he’s losing his grip: Musk took a break from insulting Nolan and Nyong’o to petulantly criticize the series finale of Amazon Prime’s hit superhero parody “The Boys.”
Musk’s one-man battle against “The Odyssey” is another symptom of his waning influence on the world outside the hothouse of X; his Cybertrucks aren’t selling, Grok, his AI product, is lagging behind rivals, and the man can’t decide whether Trump is his bestie.
Another sign that he’s losing his grip: Musk took a break from insulting Nolan and Nyong’o to petulantly criticize the series finale of Amazon Prime’s hit superhero parody “The Boys,” which he called “pathetic” for killing off the show’s MAGA-coded villain, Homelander, but not before he murders a parody of the billionaire. Musk admitted he hadn’t actually watched the show, though. He’s just sitting in one of his mansions angrily scrolling, and getting bent out of shape.
At least “The Boys” showrunner seems to be to having fun sparring with an increasingly humorless Musk on X.
Meanwhile, the two people Musk is targeting in his crusade against “The Odyssey” also seem to be taking his harassment in stride. Nolan hasn’t commented. But Nyong’o did chime in. “Our cast is representative of the world,” she said. “I’m not spending my time thinking of a defense. The criticism will exist whether I engage with it or not.”
Musk frequently posts bigoted opinions to X, which is his prerogative, I suppose. He owns that dumpster fire. But his current attempts to shame Nolan and suggest that the director, whose action and sci-fi movies are beloved by dudes, is indulging in nontraditional casting to win another Oscar feel transparently pitiful.
When it was first rumored that Nyong’o had been cast as Helen back in January of this year, furious users on X called it an “insult” to Homer. Musk later posted that “Chris Nolan has lost his integrity.” This underlying thesis is not only racist, but it’s also so ignorant that I wonder if Musk can tell the difference anymore between what is real and what is make-believe.
I’m not an expert in ancient history, but I’m pretty sure “The Odyssey” is fictional. There is no such thing as a man-eating Cyclops. And like all classic literature, Homer’s works are open to interpretation.
Another of the arguments against Nyong’o’s casting is that it isn’t historically accurate, never mind that both African and Middle Eastern countries border the Mediterranean. These critics seem to think the ancient Greeks really looked like ripped Scottish hunk Gerard Butler in director Zack Snyder’s cartoonish Spartan action film “300.”
You want realism? Helen of Troy’s father is Zeus, the god of thunder. Zeus, who transformed into animals and seduced mortals. What are we doing here?
Despite Musk’s musings, “The Odyssey” is already the most buzzed-about movie of the summer. The 70mm IMAX screenings are a hot ticket: opening weekend sold out within minutes of going on sale 12 months in advance. This isn’t surprising. Nolan remains one of the entertainment industry’s most dependable and respected directors of blockbusters, from 2023’s Oscar-winning historical phenomenon “Oppenheimer” to his formidable Batman trilogy to 2014’s emotional space opera “Interstellar.”
He’s also a director who has never worn his personal politics on his sleeve, although many of his movies have what could fairly be called conservative vibes. In 2012’s “The Dark Knight Rises,” for example, a billionaire puts down a populist revolution led by a cross between Darth Vader and a communist guerrilla.
Everything I know about “The Odyssey” I learned in high school. I guess I was lucky enough to have an English teacher who knew this epic was full of action and romance, so he always emphasized the good parts. But while Musk might not want to admit it, at its core, “The Odyssey” is really an anti-war story about the ultimate wife guy on an endless, dangerous road trip back home. Through his hero’s journey, Homer teaches that smarts and grit matter more than brute strength. “The Odyssey” is a 2600-year-old message passed from storyteller to storyteller about what really matters in life. It’s a message a man like Musk could learn from — if he’d only stop whining long enough to listen.
John DeVore
John DeVore is a culture writer and author of "Theatre Kids: A True Tale of Off-Off Broadway." His writing has been published in Esquire, Vanity Fair, Marvel Comics, and many other publications.